Author: podmeister

15. The Big Parade with Mary Beard

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“I’m interested in saying, look, how can you challenge the Asterix-and-the-Romans kind of image that we tend to have of Rome? We are determined to turn a blind eye to Roman subtlety, humour and sophistication because the Romans do a very good job for us of being bridge-builders and thugs. The Greeks are sophisticated guys who go round thinking about the meaning of life, and the Romans conquer people. And those kinds of symbols of difference are terribly convenient for modern culture to use, as you can see if you look at how Rome appears in movies.” I’ve recently been in Cambridge to talk to Professor Mary Beard about her radical re-evaluation of one of ancient Rome’s quintessential rituals – the triumph. There are few images more evocative of ancient Rome than the triumph. It’s one of the favourite set-pieces of countless “sword-and-sandal” epics. To be awarded a triumph was the greatest accolade for a victorious Roman general. He would be drawn through the city’s streets, dressed as a god and surrounded by his raucous …

The bomb-hunters of Laos

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“It’s a very surreal place… children have grown up with bomb scrap around them. So when they see bomb scrap, they don’t perceive any danger. It’s all around you.The houses are made of bombs. It’s piled up by the side of the roads. It’s part of the fabric of life.” I’ve just completed a first podcast for the English edition of Le Monde Diplomatique, the monthly French paper which now exists in many foreign-language editions and publishes in-depth reports on the political, social and cultural situation around the world. My guest in this first LMD podcast is Angela Robson, who used to work with Amnesty International, and is now a writer and journalist who broadcasts frequently on the BBC. Angela recently visited Laos, the small land-locked country in S.E. Asia, ahead of the Dublin conference to discuss an international cluster-bomb ban. Though few people in the west know much about Laos, it is the country which has suffered the heaviest bombing of any nation on Earth. More than Japan and Germany in the Second World …

‘Places can’t stand open’

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“In politics there’s a constant endeavour to expose hypocrisy. Because people don’t like hypocrisy, it’s a very useful weapon to attack an opponent. But the exposure of hypocrisy – the anti-hypocritical movement – doesn’t drive hypocrisy out of politics. It doesn’t even diminish the amount of hypocrisy that there is. If anything it just increases it.” I was in Cambridge last week to interview David Runciman about his new book, Political Hypocrisy, for Princeton University Press. You can listen to the PUP podcast by clicking here (for iTunes) or here (for PUP site). The title of this post is a quote from one of the people David discusses in his book, the eighteenth-century writer, Bernard Mandeville, author of The Fable of the Bees, which was thought by his contemporaries to be one of the wickedest books of his day on account of the cool eye with which its author regards the hypocrisy of his time. According to Mandeville, the difficulty of waiting for politicians to come along who bear not the slightest taint of hypocrisy, …

14. The Mighty Handful and more

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“In Russian music you have a very different portrayal of Russia [from the one you find in literature], which has very strong rhythms, very festive images. It’s very bright, very colourful, very, very different from the melancholy Russian soul.” Writing of Glinka’s opera A Life for the Tsar after its premiere in 1836, one Russian critic boldly predicted that ‘Europe will be amazed’. Surely Europeans would now want to ‘take advantage of the new ideas developed by our maestro’? Yet this opera, which is regarded as the very foundation of Russian music in its home country, is little known abroad, its composer (the ‘great father of Russian music’) merely another name in the long list of half-neglected nineteenth-century Russian composers. Marina Frolova-Walker, a Russian-born musicologist now based in Cambridge, set out to do something much more ambitious than explain the neglect of certain Russian composers. She wanted to examine the whole notion of ‘Russianness’ in Russian music, a story which starts with Glinka. What did Russianness consist of? How did it come about? What changing …

Landing the big three

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There was an entertaining piece by Joe Queenan in last Sunday’s NYT about the pleasures of long books (and in particular the three volumes of Austrian novelist Robert Musil’s Man Without Qualities), and the havoc they can wreak on the normal functioning of life (plus their value as a diversionary tactic):

‘An extended passport application’ – the poetry of Michael Hofmann

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“It’s almost as though my poetry is an extended passport application… It’s an attempt to be naturalized. I think I’ve failed to be naturalized and therefore there is this German residue about things. It’s something I feel haunted by…” I’m delighted that the first poet to appear on Podularity is Michael Hofmann. I’ve known Michael for several years and greatly admire his work as a translator, but his poetry has been a comparatively recent – and very pleasurable – discovery for me. George Szirtes, reviewing Michael’s Selected Poems in the Guardian recently, said of his work: In the programme we talk about Michael’s relationship with the German and English languages and how he moves between the two; his relationship with his late father, the German novelist, Gert Hofmann, which forms the explicit or implicit subject matter of much of his poetry: ‘these two men meet up to divide the world between them and this is how it goes: my father gets prose in German and I get poetry in English, and we each go away …

12. A Chinese character

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“I think the burning question is: we think of printing as having revolutionized intellectual life in Europe, how come it doesn’t appear to have revolutionized intellectual life in China? There’s no great fanfare when it arrives. It seems to creep in and people don’t talk about it much for quite a long time. That was the problem I was trying to address overall.” This week I’ve been at the School of Oriental and African Studies in London to see Professor of East Asian History, Tim Barrett. It was the title of Tim’s recent book – The Woman Who Discovered Printing – which made me keen to meet him. After all, most of us have grown up with the idea that printing was invented in medieval Germany by Gutenberg. In fact, Tim’s book shows that printing was already well-established in China many centuries before Gutenberg, and that Europeans had probably seen eastern wood-block type at a period when they were too far behind China technologically speaking to make use of it. Perhaps our difficulty in the …

11. ‘Gonged on Missy’

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‘You always suppose you’re the heroine in the story of your life; the day you discover you’re the monster, it’s apt to come as a surprise’ Dol McQueen, ‘flash-girl’, 1862 Chris Hannan‘s dazzlingly accomplished first novel, Missy , is published today in the UK (in the US, it comes out in June from FSG). I met Chris last week at the Scottish National Gallery of Modern Art in Edinburgh to talk about making the transition from writing plays to writing novels, how he created the voice of a young American prostitute in a silver-rush boom-town, and how aspects of his own life fed into what seems at first the least autobiographical of first novels. The ‘missy’ of the title by the way is not a character in the book, but the liquid opium to which its narrator, Dol McQueen, is addicted. Dol McQueen is one of the “flash-girls” who forsake the fleshpots of San Francisco to ply their trade in Nevada’s Virginia City, where men are rumored to be newly rich and ripe for plucking. …

Aravind Adiga on ‘The autobiography of a half-baked Indian’

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That’s how the narrator of Aravind Adiga’s debut novel reckons he should entitle his life story. Adiga’s narrator, Balram Halwai, believes he is half-baked because, like so many in India, he’s been unable to finish his schooling, and so his head is an ‘odd museum’ of half-cooked ideas. This is the head the reader is given a guided tour of over the course of 300 often bitingly satirical pages. Adam Lively in The Times called the book ‘extraordinary and brilliant’ and another critic said it was ‘the perfect antidote to lyrical India’. Balram is not the sort of character who is normally given centre stage in Indian novels. He comes from a low caste in an almost feudal village and seems destined for a life as a downtrodden servant, abused by his affluent, rapidly (and often comically) westernizing masters. Yet over the course of several nights, Balram relates the steps he took to escape the ‘rooster coop’ of Indian society and turn himself into a ‘self-made entrepreneur’. He offers the wisdom he has gained (‘free …

Here comes Clay Shirky

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There’s an interesting podcast on the Penguin site featuring Clay Shirky, whose new book Here Comes Everybody has just come out. Shirky has been called ‘the finest thinker we have on the Internet revolution’. He runs the Interactive Telecommunications Program at NYU, which brings together people from the worlds of the arts and technology. He says he jokingly refers to as ‘the Center for the Study of the Recently Possible’.