Month: June 2008

15. The Big Parade with Mary Beard

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“I’m interested in saying, look, how can you challenge the Asterix-and-the-Romans kind of image that we tend to have of Rome? We are determined to turn a blind eye to Roman subtlety, humour and sophistication because the Romans do a very good job for us of being bridge-builders and thugs. The Greeks are sophisticated guys who go round thinking about the meaning of life, and the Romans conquer people. And those kinds of symbols of difference are terribly convenient for modern culture to use, as you can see if you look at how Rome appears in movies.” I’ve recently been in Cambridge to talk to Professor Mary Beard about her radical re-evaluation of one of ancient Rome’s quintessential rituals – the triumph. There are few images more evocative of ancient Rome than the triumph. It’s one of the favourite set-pieces of countless “sword-and-sandal” epics. To be awarded a triumph was the greatest accolade for a victorious Roman general. He would be drawn through the city’s streets, dressed as a god and surrounded by his raucous …

The bomb-hunters of Laos

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“It’s a very surreal place… children have grown up with bomb scrap around them. So when they see bomb scrap, they don’t perceive any danger. It’s all around you.The houses are made of bombs. It’s piled up by the side of the roads. It’s part of the fabric of life.” I’ve just completed a first podcast for the English edition of Le Monde Diplomatique, the monthly French paper which now exists in many foreign-language editions and publishes in-depth reports on the political, social and cultural situation around the world. My guest in this first LMD podcast is Angela Robson, who used to work with Amnesty International, and is now a writer and journalist who broadcasts frequently on the BBC. Angela recently visited Laos, the small land-locked country in S.E. Asia, ahead of the Dublin conference to discuss an international cluster-bomb ban. Though few people in the west know much about Laos, it is the country which has suffered the heaviest bombing of any nation on Earth. More than Japan and Germany in the Second World …

‘Places can’t stand open’

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“In politics there’s a constant endeavour to expose hypocrisy. Because people don’t like hypocrisy, it’s a very useful weapon to attack an opponent. But the exposure of hypocrisy – the anti-hypocritical movement – doesn’t drive hypocrisy out of politics. It doesn’t even diminish the amount of hypocrisy that there is. If anything it just increases it.” I was in Cambridge last week to interview David Runciman about his new book, Political Hypocrisy, for Princeton University Press. You can listen to the PUP podcast by clicking here (for iTunes) or here (for PUP site). The title of this post is a quote from one of the people David discusses in his book, the eighteenth-century writer, Bernard Mandeville, author of The Fable of the Bees, which was thought by his contemporaries to be one of the wickedest books of his day on account of the cool eye with which its author regards the hypocrisy of his time. According to Mandeville, the difficulty of waiting for politicians to come along who bear not the slightest taint of hypocrisy, …

14. The Mighty Handful and more

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“In Russian music you have a very different portrayal of Russia [from the one you find in literature], which has very strong rhythms, very festive images. It’s very bright, very colourful, very, very different from the melancholy Russian soul.” Writing of Glinka’s opera A Life for the Tsar after its premiere in 1836, one Russian critic boldly predicted that ‘Europe will be amazed’. Surely Europeans would now want to ‘take advantage of the new ideas developed by our maestro’? Yet this opera, which is regarded as the very foundation of Russian music in its home country, is little known abroad, its composer (the ‘great father of Russian music’) merely another name in the long list of half-neglected nineteenth-century Russian composers. Marina Frolova-Walker, a Russian-born musicologist now based in Cambridge, set out to do something much more ambitious than explain the neglect of certain Russian composers. She wanted to examine the whole notion of ‘Russianness’ in Russian music, a story which starts with Glinka. What did Russianness consist of? How did it come about? What changing …

Landing the big three

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There was an entertaining piece by Joe Queenan in last Sunday’s NYT about the pleasures of long books (and in particular the three volumes of Austrian novelist Robert Musil’s Man Without Qualities), and the havoc they can wreak on the normal functioning of life (plus their value as a diversionary tactic):