Year: 2014

Anton Chekhov: About Love and other stories (an Oxford World’s Classics audio guide)

Without quite planning it, Podularity seems to have been having a bit of a Russian season of late, so I thought it would be worth re-presenting this audio guide which OUP commissioned me to produce a couple of years ago with Rosamund Bartlett, translator of Chekhov’s short stories (and also Anna Karenina (forthcoming, 2014)). Here’s a link to all the OWC audio guides. “Seventeen peerless examples of how much life you can put into a few pages of fiction if you have Chekhov’s economical mind, his eyes and ears, his feel for comedy and his sense of humanity. Chekhov is better known for his plays. But these are small masterpieces of their own, in a revelatory new translation.” – The Economist Click on the links below to hear Rosamund Bartlett, who edited and translated the stories in the collection, About Love, introduce Chekhov and his work and read from her translations. Who was Anton Chekhov? Anton Chekhov (1860-1904) came from an unlikely background for a future literary celebrity. Unlike most of his fellow writers, he …

Conversations with Translators (I): Oliver Ready on Crime and Punishment

I visited Oliver Ready recently at St Antony’s College, Oxford, where he is a research fellow in Russian society and culture, to hear about his five-year engagement with Dostoevsky’s Crime and Punishment (Penguin Classics, 2014): what persuaded him to take the project on? how did he limber up for it? and why – unusually – did he write his version out longhand rather than work on a computer? Below, there is a short extract from our conversation: Oliver Ready: Something Russians talk a lot about in translation is the idea of a tuning fork when you’re setting out on a translation – ‘kamerton’ in Russian – and like an actor trying to get into the role you read something which isn’t a precise model, but which moves your linguistic resources in a particular direction and starts you thinking in particular rhythms. [Translating Crime and Punishment] was experimental for me because I’d never translated a classic before and the first question people ask is ‘What are you doing? Are you going to write in the archaic …

Rebecca Mead on The Road to Middlemarch

Rebecca Mead is an English-born, Brooklyn-based, New Yorker staff writer. I met her recently when she visited Toppings bookshop in Bath to talk about her new book The Road to Middlemarch. Rebecca’s book explores her fascination with George Eliot’s great novel, which started when she first encountered it at the age of seventeen, and has accompanied her through her life, growing, changing, developing, revealing new aspects, as Rebecca’s own life and experience have changed. ‘Reading [Middlemarch]’, she writes, ‘does not feel like an escape from life so much as it feels like an urgent, crucial dimension of life itself. There are books that seem to comprehend us as much as we understand them, or even more. […] This kind of book becomes part of our own experience, and part of our own endurance. It might lead us back to the library in mid life, looking for something that eluded us before.’ Rather than a work of literary criticism, the book is a blend of biography, memoir, travel, and reflection that defies easy classification. Here’s a …

Catriona Kelly St Petersburg interview – part II

I don’t want to normalize it completely, but I think Britain has many of the same problems as Russia actually: mass alcoholism – there’s plenty of that – a governing elite that doesn’t really give a toss for anybody, doesn’t have its finger on the pulse of what’s going on, what happens when you administer cuts at the top level and so on. And instead we sit round and point the finger at them… In this concluding part of my interview with Catriona Kelly about her recent book, St Petersburg: Shadows of the Past, we talk about the shadow cast by the Blockade over the post-war life of the city; getting by under communism; adapting to life post-Communism; and Catriona’s own experience of becoming a part-time resident of the city – including a visit to a builder’s merchant on its outskirts.

Catriona Kelly on shadows of St Petersburg’s past

The present and the past are intertwined and it doesn’t matter if what people remember about the past isn’t true – it’s got significance for them now. I’m going between lots of different layers, because that’s what people do in their conversation. My guest in this programme is Catriona Kelly, who is Professor of Russian at the University of Oxford. Catriona appeared in one of the very first editions of the programme in early 2008, when we talked about her monumental history of childhood in twentieth-century Russia, Children’s World. That interview is still available here. I visited Catriona in Oxford last month to talk to her about her latest book, published in January by Yale University Press. St Petersburg: Shadows of the Past presents a multi-faceted portrait of a great city that has undergone decades of transformation since the late 1950s and examines how layers of shared memories of the past have left their mark on the present. What interests Catriona is less the official memory enshrined in St Petersburg’s monuments and museums, but rather memories …

Historical novelist Maria McCann on Ace, King, Knave

[An] exuberant revivification of grave robbers and gamblers, hucksters and whores in 18th-century London: like Hogarth sprung to life. – Hilary Mantel, Books of the Year 2013, Observer This is my second interview with Maria McCann – I first interviewed her back in 2010 about her previous novel, The Wilding, which was longlisted for the Orange Prize. That novel was set during the Restoration in 1672. For her new book, Ace, King, Knave, Maria has moved forward almost a century to the Georgian England of the mid-1760s. The novel is the tale of two young women: Sophia, born into the Somerset aristocracy, and Betsy-Ann, the daughter of travelling fair people, and their relationship with the same man, though they each know him under a different name. To Sophia, he is Mr Zedland, heir to an estate in Essex with an elegant townhouse in London. The man Betsy-Ann knows as Ned, however, comes from a much more disreputable background. The Georgian capital is a world where everyone, whether highborn or low, is looking for the Great …

Jon Ronson on The Psychopath Test

Early on in his book The Psychopath Test, Jon Ronson writes: Having explored the world of extremists in Them, and the wilder shores of the US military’s psychic operations in The Men who Stare at Goats, Jon decided to turn his attention to psychopaths. In this entertaining interview, he explains why. To listen, click here. And to read the first chapter of the book, click here.

Inside Writing: The Faber Academy podcast (1)

We recorded the first Faber Academy podcast last autumn. The aim is very simple: to bring together two writers (or a writer and editor) and get them to discuss a theme or a skill likely to be of interest to other writers. The guests on each programme select a text to focus the discussion and to give listeners something read (or reread) afterwards. My guests on this first podcast were novelist Louise Doughty (above left), author most recently of Apple Tree Yard, and her editor at Faber, Sarah Savitt. The text they chose was Anne Enright’s The Forgotten Waltz, and the theme Unreliable Narrators. The podcasts are free, not tied to any particular course, and not intended to sell you something. While they are principally aimed at new writers, my hope is that hearing authors talk about what they have worked out about their craft will also be of interest to readers. In this first podcast, among the things we touch on are: keeping a writer’s notebook, reading with a novelist’s eye, self-delusion, John Le …

On the siege of Leningrad

My guest in this podcast is Anna Reid, a historian of Russia and author of Leningrad: Tragedy of a City under Siege 1941-4, the first book in English to be devoted to the siege since 1969. The siege by the German army lasted 900 days and led to the deaths of three quarters of a million people. The city was cut off, encircled by a siege ring in September 1941 as the Wehrmacht inflicted on Leningraders one of the oldest and most appalling forms of warfare that aimed to bombard and starve them into submission or death. A directive from German High Command in September 1941 was unambiguous: “The city of Leningrad is to be sealed off, the ring being drawn as tightly as possible so as to spare our forces unnecessary effort. Surrender terms will not be offered.” Anna’s book reveals great acts of heroism and self-sacrifice alongside ones of hideous brutality and cruelty. It also emphasizes the stubborn human will to survive. To listen to the podcast, click here.

German novelist Eugen Ruge on ‘In Times of Fading Light’

In Times of Fading Light is Eugen Ruge‘s debut novel, a bestseller in Germany, and the winner of the 2011 German Book prize, awarded to the best German-language novel of the year. A multi-generational story spanning well over half a century (and drawing to a certain extent on Ruge’s own family history), it charts the impact of wider historical events on the lives of the Umlitzer family, who once belonged to the Communist elite but whose socialist utopia has long-since vanished by the time the book opens in 2001. Through four generations, Ruge presents different perspectives of life under changing political regimes and the restrictions they imposed – we move from Fascism, to Communism and post-Communism, finishing with hyper-Capitalism. We witness characters’ lives that still have their fair share of mundane chores, problems and domestic disputes, but which appear extraordinary set against backdrops that are hard now to imagine. Eugen Ruge was born in 1954 in the Urals in the former Soviet Union, where his German communist father Wolfgang had fled from the Nazis in …