LMD podcast: Ibrahim Warde on HSBC scandals
Will the fresh revelations about tax evasion through HSBC’s Swiss subsidiary actually lead to any major prosecutions? Previous tax fraud leaks haven’t changed much.
Will the fresh revelations about tax evasion through HSBC’s Swiss subsidiary actually lead to any major prosecutions? Previous tax fraud leaks haven’t changed much.
Here is the first of four short films I made with Julian Baggini last summer and released last month to coincide with the paperback edition of his book, The Virtues of the Table. In this first film he asks: Do we really need to follow recipes? Julian Baggini: The Philosopher in the Kitchen – 1. Practical Wisdom (Hummus) from George Miller on Vimeo.
I thought this might be an appropriate time to re-post my interview with Graham Farmelo from December 2013 about Winston Churchill’s interest in science and in particular nuclear weapons. Click on the player above to listen to the interview. Here’s what I said about the book in my introduction: I first became aware of Graham’s work a decade ago at Granta, where he had that rarest of things, a bestseller about equations, called It Must Be Beautiful. I interviewed him a few years ago for the Faber podcast when his biography of fellow physicist Paul Dirac came out; that book, entitled The Strangest Man, won the 2009 Costa Biography Award and the 2010 Los Angeles Times Science Book Prize. Graham and I met up again recently at Faber’s offices in Bloomsbury to talk about his new book, Churchill’s Bomb, a fascinating and pacy story of how Britain became a nuclear power, seen through the lens of Winston Churchill’s career. Graham shows that Churchill’s interest in science – especially as it applied to the changing nature …
One of the most enjoyable interviews I recorded last year was with poet David Harsent. I’ve long been an admirer of David’s work; since I first encountered in the early 1990s, in fact, when David was on the long-departed Oxford Poets list and I was the junior editor, whose duties were mainly putting things in envelopes. Around the same time, I saw a TV production of Birtwistle’s Gawain, for which David wrote the libretto, which also made a deep impression on me. So I was delighted by the news a couple of weeks ago that David had won this year’s T.S. Eliot prize for his latest collection, Fire Songs. Click on the link above to listen to the first part of our conversation. Here’s what I said about the book in the introduction to the podcast: Reviewing his previous collection, Night, in the Independent, Fiona Sampson said: ‘Truly significant poets write like no one else, and David Harsent is both sui generis and unsurpassed.’ If anything, I would say that this new collection attains even …
Here, in tribute to P.D. James, who died last week, is my interview with her from 2011 in which she looks back over her career.
To coincide with his giving this year’s Reith Lectures, I thought I would re-release this interview with Atul Gawande from 2011, in which I spoke to him about The Checklist Manifesto and how something as simple as a checklist could have dramatic, positive benefits in healthcare. “We have people at the frontline who have great expertise – we couldn’t have people in medicine who are better trained, working harder, or given more technology to get their jobs done – and yet the puzzle is that for many of the steps along the way, such as in surgery, we have seven million people a year globally left disabled or dead through complications. At least half the time, we know that it’s from failures to use knowledge that already exists, steps in care that could have avoided it. And so understanding how we close the gaps, not just of ignorance but, for want of a better word, what we have to call ineptitude, is fundamental.”
In the December edition of Le Monde diplomatique, Rafael Barajas and fellow journalist Pedro Miguel have written about Mexico’s current state of crisis after the disappearance of 43 students from a rural teacher training college in September. It appears that they were handed over by the police to organized criminals who subsequently killed them. If such horrific things are possible, then President Enrique Peña Nieto’s Mexico has become a terrorist state, Barajas and Miguel argue, concerned principally with defending the interests of those who gain from the multi-billion dollar drugs trade against the people, using violence and intimidation to make the lives of many ordinary Mexicans unbearable. ‘Beheadings’, Rafael told me, ‘have become a part of our daily news. So when I rang him in Mexico City on 25 November, I began by asking why – against this backdrop of violence and brutality – the disappearance of these 43 students had provoked such outrage.
“Following 9/11, the US and then the UK decided to introduce new pieces of legislation which were ostensibly aimed – at least to start with – against terrorism and concerned security. But they rapidly bled into other fields, in particular into the area of immigration. So we saw throughout the first decade of the 21st century a series of new pieces of legislation which restricted access of asylum seekers and changed the way they were handled in the UK, and also restricted access of economic migrants and how they were handled. And in order to enact those changes of legislation, the UK government began to expand its immigration detention estate. And that was the point at which I realized there was a big gap in the academic literature on these institutions and that led me to this project…” This is the first in a new series of podcasts commissioned by OUP’s law publishing department. My guest is Mary Bosworth, reader in criminology at the university of Oxford and concurrently professor of criminology at Monash University …
“Schubert had a response to words that is quite extraordinary. It’s the way that the interaction between words and music – which in a sense gives the song its own life – takes place that interests me. Josef von Spaun once wrote very perspicaciously that Schubert writes a poem on the poem, [by which he means that] the song is a commentary on the poem. And how and why it is a commentary in detail is what really interests me.” – Graham Johnson I was lucky enough to spend an afternoon with pianist Graham Johnson earlier this year and had the opportunity to talk to him about his abiding love for Schubert, the art of accompanying Lieder singers, and how he has managed to develop as a writer, while at the same time holding down the day job at the piano keyboard. The result is an in-depth, two-part portrait of the artist, the first part of which is above. Part two is coming shortly. Here’s an extract from my introduction to this podcast: “Graham Johnson …
I’ve long yearned to conduct an author interview on the fire escape at Faber, and recently my wish came true, with Peter Carey no less. Here he is talking about his new novel, Amnesia: Peter Carey introduces his new novel, Amnesia from George Miller on Vimeo.