Early on in his book The Psychopath Test, Jon Ronson writes: Having explored the world of extremists in Them, and the wilder shores of the US military’s psychic operations in The Men who Stare at Goats, Jon decided to turn his attention to psychopaths. In this entertaining interview, he explains why. To listen, click here. And to read the first chapter of the book, click here.
We recorded the first Faber Academy podcast last autumn. The aim is very simple: to bring together two writers (or a writer and editor) and get them to discuss a theme or a skill likely to be of interest to other writers. The guests on each programme select a text to focus the discussion and to give listeners something read (or reread) afterwards. My guests on this first podcast were novelist Louise Doughty (above left), author most recently of Apple Tree Yard, and her editor at Faber, Sarah Savitt. The text they chose was Anne Enright’s The Forgotten Waltz, and the theme Unreliable Narrators. The podcasts are free, not tied to any particular course, and not intended to sell you something. While they are principally aimed at new writers, my hope is that hearing authors talk about what they have worked out about their craft will also be of interest to readers. In this first podcast, among the things we touch on are: keeping a writer’s notebook, reading with a novelist’s eye, self-delusion, John Le …
My guest in this podcast is Anna Reid, a historian of Russia and author of Leningrad: Tragedy of a City under Siege 1941-4, the first book in English to be devoted to the siege since 1969. The siege by the German army lasted 900 days and led to the deaths of three quarters of a million people. The city was cut off, encircled by a siege ring in September 1941 as the Wehrmacht inflicted on Leningraders one of the oldest and most appalling forms of warfare that aimed to bombard and starve them into submission or death. A directive from German High Command in September 1941 was unambiguous: “The city of Leningrad is to be sealed off, the ring being drawn as tightly as possible so as to spare our forces unnecessary effort. Surrender terms will not be offered.” Anna’s book reveals great acts of heroism and self-sacrifice alongside ones of hideous brutality and cruelty. It also emphasizes the stubborn human will to survive. To listen to the podcast, click here.
In Times of Fading Light is Eugen Ruge‘s debut novel, a bestseller in Germany, and the winner of the 2011 German Book prize, awarded to the best German-language novel of the year. A multi-generational story spanning well over half a century (and drawing to a certain extent on Ruge’s own family history), it charts the impact of wider historical events on the lives of the Umlitzer family, who once belonged to the Communist elite but whose socialist utopia has long-since vanished by the time the book opens in 2001. Through four generations, Ruge presents different perspectives of life under changing political regimes and the restrictions they imposed – we move from Fascism, to Communism and post-Communism, finishing with hyper-Capitalism. We witness characters’ lives that still have their fair share of mundane chores, problems and domestic disputes, but which appear extraordinary set against backdrops that are hard now to imagine. Eugen Ruge was born in 1954 in the Urals in the former Soviet Union, where his German communist father Wolfgang had fled from the Nazis in …
Roger Luckhurst‘s 2012 book, The Mummy’s Curse, is much more than just an opportunity to revisit the familiar story of Howard Carter’s discovery of Tutankhamen’s tomb in the winter of 1922 and the death soon after of his patron Lord Carnarvon in circumstances ascribed to the eponymous curse. Roger’s real interest is in finding out where the story of the curse came from and what it says about the society in which the rumours circulated. I met up with Roger in order to explore ‘the lumber room of the Victorian exotic unconscious’ and tune in to the shuffling footsteps of the mummy… To listen to the podcast, click here.
My guest on this podcast is psychologist (and former magician) Richard Wiseman, who has long been interested in why people are fascinated by the paranormal – and willing to believe things for which there is not a shred of scientific evidence. The result of his interest is Paranormality, a book which lifts the lid on the tricks that psychics and mindreaders play and investigates why humans developed and retained a readiness to believe the impossible. In the podcast he explains how he rose to the challenge of investigating Hampton Court Palace’s ghost… To listen to the podcast, click here.
Caspar Henderson‘s 21st-century bestiary, The Book of Barely Imagined Beings, is one of the most imaginatively conceived and beautifully produced books I have come across in the past couple of years. In the introduction, Caspar describes how the book was inspired when he was on a riverside picnic – Alice-style – in Oxford a few years ago. He had been reading Borges’ Book of Imaginary Beings, and having leafed through this book, fell asleep. Then, he writes: ‘I woke with the thought that many real animals are stranger than imaginary ones, and it is our knowledge and understanding of them that are too cramped and fragmentary to accommodate them: we have barely imagined them.’ And so was conceived this A-Z of weird and wonderful creatures – all of them real – and their unfamiliar ways of being in the world. To listen to the podcast, click here.
As this series, Talking about Photographs, continues, I think it’s a fairly safe bet that fathers will feature prominently as a subject – fathers gone and fathers barely known in particular. Here, Sabrina Hazelwood reflects on a picture of her father with some navy friends taken in Cuba in the 1960s.
Our second interviewee, Nigel Wellings, chooses a picture of himself from the late seventies, taken just after his return from his first trip to India.
The idea is very simple. I ask an interviewee to talk about a photograph with special significance for them. The video lasts less than two minutes. And at the end you get to see the photo. Talking about Photographs: 1. Philippa Vick from George Miller on Vimeo.
