[An] exuberant revivification of grave robbers and gamblers, hucksters and whores in 18th-century London: like Hogarth sprung to life. – Hilary Mantel, Books of the Year 2013, Observer This is my second interview with Maria McCann – I first interviewed her back in 2010 about her previous novel, The Wilding, which was longlisted for the Orange Prize. That novel was set during the Restoration in 1672. For her new book, Ace, King, Knave, Maria has moved forward almost a century to the Georgian England of the mid-1760s. The novel is the tale of two young women: Sophia, born into the Somerset aristocracy, and Betsy-Ann, the daughter of travelling fair people, and their relationship with the same man, though they each know him under a different name. To Sophia, he is Mr Zedland, heir to an estate in Essex with an elegant townhouse in London. The man Betsy-Ann knows as Ned, however, comes from a much more disreputable background. The Georgian capital is a world where everyone, whether highborn or low, is looking for the Great …

In Times of Fading Light is Eugen Ruge‘s debut novel, a bestseller in Germany, and the winner of the 2011 German Book prize, awarded to the best German-language novel of the year. A multi-generational story spanning well over half a century (and drawing to a certain extent on Ruge’s own family history), it charts the impact of wider historical events on the lives of the Umlitzer family, who once belonged to the Communist elite but whose socialist utopia has long-since vanished by the time the book opens in 2001. Through four generations, Ruge presents different perspectives of life under changing political regimes and the restrictions they imposed – we move from Fascism, to Communism and post-Communism, finishing with hyper-Capitalism. We witness characters’ lives that still have their fair share of mundane chores, problems and domestic disputes, but which appear extraordinary set against backdrops that are hard now to imagine. Eugen Ruge was born in 1954 in the Urals in the former Soviet Union, where his German communist father Wolfgang had fled from the Nazis in …

To record this week’s podcast, I travelled to the Cotswolds to visit my guest (and friend), Elizabeth Speller. Elizabeth has recently bought a splendid shepherd’s hut on wheels which she is using as a retreat to write in. Although this book wasn’t written there, its sequel, currently a work in progress, will be. You can see the hut – which is enough to arouse the envy of anyone with writerly ambitions – in the video we recorded, which will be on this site shortly. In the mean time, click on the link above to listen to our audio podcast in which we talk about making the transition from non-fiction to fiction, the challenges of setting a novel in the past, and the ways in which the reverberations of the First World War continued to be felt in the years that followed armistice. The novel has been getting terrific reviews: The Times, for example, said: “Speller’s writing is gorgeous, her research immaculate and very lightly worn. Sheer bliss.” And the Independent said: “Covering death, poetry, a …