Daljit Nagra on the ‘whoosh’ of poetry
An Interview with Daljit Nagra from FaberBooks on Vimeo.
An Interview with Daljit Nagra from FaberBooks on Vimeo.
Congratulations to Aravind Adiga for his Booker win last night for his debut novel, The White Tiger. For those of you who missed it, you can find my interview with Aravind from earlier this year here. And if you want to sample his novel, you can hear him reading from it here and here.
“I see this in a sense as a cautionary tale. What my narrator is is a white tiger – he’s unusual for his time. Very few servants in India actually kill their masters and take their money…” Aravind Adiga’s debut novel was recently selected for the Booker long-list, so I thought I’d make available this interview which I did with him earlier this year in London. Click here to listen to the interview.
That’s how the narrator of Aravind Adiga’s debut novel reckons he should entitle his life story. Adiga’s narrator, Balram Halwai, believes he is half-baked because, like so many in India, he’s been unable to finish his schooling, and so his head is an ‘odd museum’ of half-cooked ideas. This is the head the reader is given a guided tour of over the course of 300 often bitingly satirical pages. Adam Lively in The Times called the book ‘extraordinary and brilliant’ and another critic said it was ‘the perfect antidote to lyrical India’. Balram is not the sort of character who is normally given centre stage in Indian novels. He comes from a low caste in an almost feudal village and seems destined for a life as a downtrodden servant, abused by his affluent, rapidly (and often comically) westernizing masters. Yet over the course of several nights, Balram relates the steps he took to escape the ‘rooster coop’ of Indian society and turn himself into a ‘self-made entrepreneur’. He offers the wisdom he has gained (‘free …